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Improsessions

by William Beauvais

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1.
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3.
Jump Cut 03:14
4.
Pavan 04:59
5.
6.
Lost Echoes 03:14
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8.
9.
Final Word 04:12

about

As a composer, my best work often comes when I surprise myself. An idea takes a different direction and I can see a whole new set of possibilities from the paths I usually take. Improvising for me is spontaneous composition, and working with others helps keep the “idea stream” fresh and filled with new potential.

Alone however, improvising can be worrisome, what happens if one runs out of ideas? For this reason I called my first solo improvisation sessions solo fright, [which was also a pun on jazz guitarist Charlie Christian’s recording solo flight]. So one day I went to Soren Truhlar’s studio to record a set of improvisations. It was a good day and things went well. He had a book in his room and would open it to a random page and call out a title for each new piece as we went along.

All the titles but one were called from that book. Pavane has a typical a-b-a-c-a structure, and the a theme is a short set of chords that I came up with that day. A pavan [or pavin in older English] was a stately dance that came before the more sprightly galliard.

credits

released July 4, 2021

Recording and mixing Soren Truhlar
Cover design and layout Alison Lee
Guitar Oskar Graf
Cover photo liner notes
producer and guitar William Beauvais

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all rights reserved

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about

William Beauvais Toronto, Ontario

William Beauvais has written music for harpist Sharlene Wallace, mezzo-soprano Maris Soulis, violinist Joyce Lai and the Oberon Guitar Trio. His music has been heard around the world, and is published by Les Productions D’OZ and through the Canadian Music Centre.
His other CD’s are: Old Wood New Seeds, Unspoken Dreams: rumi stories Invisible Cities, A Bridge Beyond, Bridges and Traces.
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